As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):
"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
Nancy Wolff, includes a similar explanation:
"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." (The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)
Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:
"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
Kristin Thompson, committee chairperson of the for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."[3]
Conditions d’utilisation
Public domainPublic domainfalsefalse
Cette œuvre est dans le domaine public car elle a été publiée aux États-Unis entre 1929 et 1977 inclus, sans indication de copyright. À moins que son auteur ne soit mort depuis suffisamment longtemps, elle n'est pas dans le domaine public dans les pays ou régions qui n'appliquent pas la règle du terme le plus court pour les travaux provenant des États-Unis, comme le Canada (cinquante ans pma), la Chine continentale (cinquante ans pma, Hong Kong et Macao exclus), l'Allemagne (soixante-dix ans pma), le Mexique (cent ans pma), la Suisse (soixante-dix ans pma) et d'autres pays signataires d'accord bilatéraux. Voir cette page pour de plus amples explications.
La page de description originale était ici. Tous les noms d'utilisateur qui suivent se rapportent à en.wikipedia.
2008-08-21 23:53 Finley 442×536× (48006 bytes) ==Rationale for use on wikipedia in the article [[Fast Workers]]== {{Navbox |name = Filmr |title = [[Wikipedia:Non-free content|Non-free film-related media rationale]] |above = '''Rationale for fair use in''' '''''[[Fast Workers]]''''' |group1 = Descr
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{{BotMoveToCommons|en.wikipedia|year={{subst:CURRENTYEAR}}|month={{subst:CURRENTMONTHNAME}}|day={{subst:CURRENTDAY}}}} {{Information |Description={{en|Publicity Photo of en:Mae Clarke, prior to appearing as 'Mary' in the film 'en:Fast Workers
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Titre de l’image
1932: American leading lady Mae Clarke (Mary Klotz) (1907 - 1992), prior to appearing as 'Mary' in the film 'Rivets' (aka Fast Workers). (Photo by General Photographic Agency/Getty Images)